New Yorkers might be forgiven for greeting “Vasily Kandinsky: From Blaue Reiter to the Bauhaus, 1910-1925,” at the Neue Galerie, with a shrug and a distinct feeling of déjà vu. Wasn’t it just three years ago now that the Guggenheim mounted a full retrospective, a delirium-inducing helix of Kandinskys?